Gig Report - Glasvegas Live In Seattle 2011

NOTE: Anyone finding this post seeking info on the Glasvegas show performed in Seattle on Feb. 28, 2014...check out my review of that gig HERE.
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After more than two years, this past weekend Glasvegas returned to Seattle for a live gig. In the intervening 26 months, this band from Scotland toured itself around the world and nearly to extinction, took a break, replaced its drummer, moved to L.A., recorded a new album and now are back to touring.

See my review of the band's previous shows in Seattle HERE (April 2009) and HERE (January 2009).

On the same night that U2 played to a football stadium sized crowd across town, Glasvegas took the stage in the intimate setting of the storied Seattle club known back in the day as Moe's Mo' Rockin' Cafe'- and now known as Neumos (get it?) - to what I would call about a 2/3 full house. And this suited me just fine. I'd much rather be at a gig where I can be really close up to a good band for less than $20. And hey, as much as I like U2 - we saw their 360 Tour up in Vancouver back in 2009 - unless you're willing to literally pay thousands of dollars to get close to the stage, you might as well be watching it on TV or DVD.

Anyway, I've been anticipating this Glasvegas gig for a while. I really enjoyed their previous two outings in Seattle, and I've listened to their new disc plenty since it came out earlier this spring and appreciate some of the changes from their first record. Good stuff and the band is definitely one of my modern favorites.

You can read my review of Euphoric Heartbreak by clicking HERE. You can also see pictures of the June 2011 gig near in my set of rock pictures HERE on Flickr.

Before the show, our little group sat down for a bite to eat at nearby Oddfellows. Aside from a wonderful meal, we also met the drummer from Glasvegas, Jonna Lofgren, as she happened in to pick up a to-go order. We said hello, thanked her and Glasvegas for coming to Seattle and a engaged in a little other banter and then she was off. A nice person.
(Left: Glasvegas on stage in Seattle)

After a round of pre-gig drinks in the adjacent bar as the opening bands played their sets, our group headed into the venue to await the main event.

Stationed very close to the stage, we were in perfect position to see the band stroll out under the atmospheric tones of the opening song from their new album Euphoric Heartbreak called Pain Pain Never Again. The as-expected lineup consisted of singer and main man James Allan all in white attire and shades, guitarist Rab Allan in black, bassist Paul Donoghue in black and new drummer Lofgren at the back of the stage behind her stand up drum kit wearing...you guessed it...all black. After a few words thanking the crowd for being there, the band burst into the song The World Is Yours for a high energy start to things. We were now officially rocking.

Glasvegas proceeded to run through an excellent set of songs from their new album and their debut - with Geraldine, Euphoria Take My Hand, Lots Sometimes and Shine Like Stars as highlights for me. The sound system seemed dialed in well to my ears. Lets put it this way, I had no problem hearing each instrument and Allan's voice. No one of them overpowered the other. And, at least for me, it wasn't too loud that my ears rang later. That's pretty good.

In terms of performance, the previous two times I've seen Glasvegas, while impressed, I felt there was just a little something missing...a little spark or extra dose of energy...that kept them from really blowing the crowd away. Sure, good shows, but...something. Not this time. Allan and gang were on their game big time. Lots of energy was coming off the stage as Allan enthusiastically belted out his songs, the guitarist and bassist moved around the stage and the drummer hit the skins hard while moving around behind the kit. This was Glasvegas in "full go" form. Also present this time around was a healthy set of talk to and with the crowd. I like a band that is confident enough and energetic enough to talk with the crowd, and there was no lack of interaction this night. So, between the excellent songs and the now equally impressive performance of them, this easily takes the cake as the best of the three shows I've seen this band perform. (At right: Rab Allan of Glasvegas)

Beyond the general performance, there were several stand out moments in my book:

• One was when Allan said a few words about being in Seattle, referenced Nirvana and then began to sing Come As You Are before ultimately breaking into a scorching version of their own song Euphoria Take My Hand. You can see the Come As You Are section and lead into the next song on video by clicking HERE. (Not a video I took, someone else did.)
• Another was following the encore when Allan admitted they had accidental skipped their song Go Square Go in the main set, joked around with his cousin and guitar player and then struck into the high energy song to make sure everyone got what they wanted. As always with this song, the coda or ending repeat phrase was shouted by the entire crowd. If you don't know what I'm talking about, well, check out the song.
• When they came back out for the encore, the two Allan's took the stage first and did a stripped down version of their song about the sudden and tragic loss of a child called Flowers and Football Tops - featuring only keyboards and vocal. Video of that performance HERE.
• At one point the guy standing next to me yelled out that he had left the U2 show across town to come see Glasvegas. Aside from the fact that this was practically impossible given the time it would take to get from that venue to the one we were in, as well as the fact that the guy saying this was in full Vancouver Canucks gear (giving away that he had really just been watching the Stanley Cup finals nearby)...the comment did inspire James Allan to talk a bit about U2 - all very complimentary and calling them all "very nice guys." To those who don't know, Glasvegas was an opening band for some of the European dates for the U2 360 tour last year and got to know them at that time. Anyway, somebody from the crowd must have asked if James or Rab were "good guys," because Rab, with a laugh, said something like, "oh, yeah, he's a good guy (pointing to James), but I'm just a dick." James agreed, again with a laugh.
• James also informed the crowd that the woman selling the band's merch at the side of the stage was none other than "Geraldine" from their song by that same name. Pointing to the merch table, he said something along the lines of, "over there is Geraldine. When I was unemployed, she helped me get a job. You may recognize her in our next song." (Below: James Allan of Glasvegas)

At any rate, as mentioned, there was a lot of talk from the stage and I liked it. My recollection of the set list was as follows....

Intro
Pain Pain, Never Again
Set
The World Is Yours
You
It's My Own Cheating Heart That Makes Me Cry
Shine Like Stars
Whatever Hurts You Through The Night
Lonesome Swan
Come As You Are...into Euphoria, Take My Hand
Geraldine
Ice Cream Van - caught on video HERE
Encore
Flowers And Football Tops
Go Square Go
S.A.D. Light
Lots Sometimes
Daddy's Gone

In the end, this was a top show for me. Here's hoping it isn't two years again before this band is back in Seattle. And for all of you who went to U2, I am sure you had a good time reliving past glories with 60,000 of your "closest friends." We did back in 2009 when we saw them. But, on this night, I am pleased to say our crew went to go see the present and future of really good rock and roll in the form of Glasvegas.


NOTE: Pictures displayed in this post were taken by Marc Osborn and not authorized for any use.

The Alternative to U2 this Saturday in Seattle

Interested in going to a good concert this Saturday night?

Can't get a ticket to the U2 show that evening?

Prefer shows where  you can see the band up close and personal?

Don't want to spend hundreds of dollars for a ticket that still puts you in the nose bleed seats and reliant on a huge monitor to see what's happening on stage?

I've got the gig for you...

Glasvegas on Saturday, June 4 at Neumos in Seattle's Capital Hill neighborhood. That's where the cool kids will be.

$20 tickets
Small venue
Hot band (even have some similarities to U2)

Come check it out.

Manic Street Preachers Play Seattle - A Review

As readers of this blog know, one of my favorite rock bands is a group called Manic Street Preachers. They’re huge in the UK and most the rest of the world, but not so much in the U.S.

As a result, they don’t play here very often. In fact, it’s been 10 years since the last time they ventured to the States to play gigs.

That is until this week.

Riding on a wave of success and critical acclaim for their most recent album titled Journal for Plague Lovers (read my review of that album and some background on the group by clicking here), this three piece band from Wales at long last decided it was time to come back to the USA and play some shows.

And where did the band pick to play their first US show in a decade? Yep, Seattle.

And so it was that last Monday – Sept. 21 – my buddy Paul and I went to see the band at Neumos on Capital Hill. (Below - Manic Street Preachers on stage in Seattle on Sept. 21, 2009. Photo by Marc Osborn.)

Naturally, our expectations were high and, I have to say, they were exceeded as the band threw down an exciting, impassioned and extremely entertaining set – all in a very small venue where you could get right up close. For those of you unfamiliar with the Manic Street Preacher’s sound, it’s rock and roll with the standard set up of guitar, bass, drum and a few effects. The band’s style has ranged from raging but melodic punk, epic and soaring rock, chilled art rock and a bunch of sounds in between...all with intelligent and thought provoking lyrics.

The other thing to know is that in their early years, the band had four members. In early 1995, their primary lyric writer and second guitarist, Richey Edwards, went missing. He’s never been found and is presumed dead - leaving surviving members James Dean Bradfield (vocals, guitar), Nicky Wire (bass, vocals) and Sean Moore (drums) to carry on. Journal for Plague lovers is the Manic’s ninth studio album and its first featuring all-Richey lyrics since that time.

But anyway, back to the show. Our evening started out as Paul and I walked past the venue and heard the band running through the sound check. As the song Peeled Apples boomed out beyond the walls of Neumos, we knew we were in for a good show.

Meeting James Dean Bradfield
Later, after we’d had a bite to eat, we were again walking near the venue in the warm late-summer evening on our way to a bar when we ran right into lead singer James Dean Bradfield. Yep. He was out on the street corner. So, I walked up to him and thanked him for coming to Seattle. After a hand shake he quickly asked, “What’s your name?” I thought this was a really great response and one that was instantly engaging. I mean, he could have easily said thanks and walked away. Instead, we introduced ourselves and he mentioned that it had been 10 years since they’d been to Seattle and that the band members were huge REM fans – and they know Peter Buck lives in the area. I mentioned to James that indeed Buck is still around and that he comes out to shows pretty regularly. I also mentioned that they were playing the same Seattle venue a decade later, and he asked what the name of it was back then. I told him it was called Areo.Space ten years ago. He said, “This place?” I confirmed. At that point, I just said thanks again and let him know we were looking forward to the show. James graciously said thanks and was on his way. The whole conversation was about a minute. So, was this short chance meeting some sort of serious intellectual exchange or bonding moment? No. But, it was great because James was approachable, nice and willing to talk. Sometimes when you meet people you admire in person, they disappoint. This was clearly not so this time. Thank you James for taking a minute to talk to us.

Pleased as punch to have met the lead singer for one of our favorite bands, Paul and I did then make it to the bar right next to Neumos. As we passed through the door we saw James again…this time snared by a few guys asking him to sign a bunch of records and other Manics items. In hindsight, I’m really glad I didn’t do that to him as that action tends to simply come across to the performer as “this is just about me getting something from you” rather than any other type of conversation you could have.

The Venue and Vibe
After some conversations at the bar with some cool guys from a band named Post Adolescence, we headed on into the main venue to get a spot for the show.

By my assessment, Neumos was more three-quarters full. Not sold out. While it was tightly packed near the stage, toward the back there was plenty of room. This must be a bit strange for the band because everywhere else in the world they play its in big stadiums or arenas…and that’s why this was an even more special gig. Great band, small venue, cheap ticket.

The crowd seemed to be people age 40 and under with the majority looking to be in their late 20s, early 30s…and a few of us geezers right at the 40 mark. As you might expect, the crowd was also majority male – but not dominantly.

The Show
Finally, the band came on stage to loud cheers looking ready to go. Bradfield was dressed in black and began the show with his white Gibson Les Paul, Wire sported a red glittery bass and wore a white jacket that he kept on the entire time - concealing what appeared to be an Elvis Presley t-shirt - and Sean Moore...well, you could barely see him, but it looked like he was wearing a black t-shirt with some soft of design on it. You can see more pictures I took at the show here and here.

The band quickly ripped into one of their older but best songs, Motorcycle Emptiness. The full set list is below:

Motorcycle Emptiness
No Surface All Feeling
Peeled Apples
Your Love Alone Is Not Enough
La Tristessa Durera
Jackie Collins Existential Question Time
Let Robeson Sing
You Love Us
Everything Must Go
Faster
Take The Skinheads Bowling
If You Tolerate This Your Children Will Be Next
Small Black Flowers (acoustic)
This is Yesterday (acoustic)
Send Away The Tigers
You Stole The Sun
All or Nothing into Motown Junk
Me And Stephen Hawking
Little Baby Nothing
This Joke Sport Severed
Design For Life

The sound system they set up was perhaps the best I’ve heard at Neumos as all instruments and vocals were clear and dialed in.

I was impressed with the diversity of the songs from their back-catalogue and that they played some of the best stuff off their latest album. For my expectations, this set really delivered with my favorites being Jackie Collins Existential Question Time, Peeled Apples and Faster. However, all songs were great. I like that they sprinkled in a few surprises like their cover of Take the Skinheads Bowling and the ode to singer/actor/athlete/activist Paul Robeson called Let Robeson Sing. I assume the later was a cheeky dig at the U.S. But, it’s a good song with intelligent lyrics. I liked that it was included.

In terms of performance, I have just say this…it was one of the best shows I’ve ever seen. I cannot underscore this enough. This show had it all - talent aplenty, great songs, engaged, passionate and energy to burn. This band was by my observation really glad to be there and put on a great performance. James Dean Bradfield in particular delivered the goods with his powerful vocals, jumping around, spinning around and generally kicking ass. I was also glad that at one point near the beginning of the show, Bradfield announced that it had been 10 years since they’d been in Seattle and that the last time they played here the venue was called “Aero-Smith or something like that.” I had to laugh. I assumed he was going on our little exchange on the street…at least that’s what I’ll go ahead and believe.

Nicky Wire did something that I noticed in the show 10 years ago…he played almost the entire set with his eyes closed. I’m not sure if that’s a regular thing with him or if the small venue was the reason. But, he also jumped around and did his scissor kicks a few times and had a few words for the audience.

Details for Fans
For fans out there who might be wondering small details, here are some to report:

• After a few seconds of Your Love Alone…James stopped the band and said that “one thing about getting older – not old, but older – is a low tolerance for an out of tune guitar.” He then promptly swapped out his white Gibson for another guitar and re-started the song from the beginning.
• When introducing the song Faster, bassist Nicky Wire said that, “Richey never made it to Seattle, but his music did. He would have loved it here for all its beautiful pretentiousness.” After the song, Wire said, “I meant pretentiousness in a good way.”
• The Manics are selling t-shirts at the US gigs. The ones we saw were the Working Class Hero shirt and two slightly different black shirts – both with the cover art from Journal for Plague Lovers on them. While I like the cover art for the album, I’m not too keen on wearing it around on my chest. But that’s me.
• As mentioned, Nicky Wire did seem to be fully mobile and no longer suffering from his previous back problems.
• Drummer Sean Moore got quite a few shout outs during the show…more than I thought he would.
• There was not Manics stage backdrop art. Just a basic stage setup. In fact, the stage was so small that Moore really was pretty invisible as his drums were not on a riser (that I could see anyway).
• There were two other performers on stage with the band. A second guitarist and a keyboard player. Both were clearly part of the band (in other words not hidden in back or anything), but also clearly off to one side of the small stage.
• The concert closed with Bradfield announcing that “this is our last song tonight. It’s called Design for Life.” And with that followed with a note-perfect performance of that great tune. After their thank-yous and leaving the stage, the crowd cheered mightily for them to come back for a few more songs, but it was not to be. Normally, I might be disappointed in this. However, the Manics played about an hour and a half of great rock and roll – so, I’ll give them a break.

After the show, Paul and I went across the street for one last drink and to go over what we’d just witnessed. We summarized many of the points I’ve made above in this post and concluded that this one is right up there with the best we’d seen. I mean, in the end…when you get to see a band of this caliber that’s one of your all-time favorites in such a small venue with great sound and oh by the way meet the lead singer (and he’s cool)…well, it just doesn’t get any better than that.

Ears ringing, smiles on our faces and full of the knowledge that we’d just seen a truly unlikely but spectacular show…we headed home.

Glasvegas Returns to Seattle - Concert Review

Rock band Glasvegas returned to Seattle Monday night for their second show in the city in the past three months. I've been keenly interested in this Glasgow, Scotland-based band for about a year - starting with their first single "Geraldine" and through the release of their first album, Glasvegas last fall. My review of the CD is here.

My above average attraction to this group is a direct result of their ability to write articulate, realistic and heart wrenching lyrics backed with a powerful sound that I feel is quite different, if not unique, in today's rock scene. I mean, who sings songs about social workers, the possibility of getting stabbed, the realization of one's "own cheating heart" being the problem in life, the loss of a father, the murder of a loved one, the beauty and purity of an ice cream van in our all too "F-ed up" world?
(Below: Glasvegas on stage at Nuemo's)

Nobody but Glasvegas. And who in today's scene is hip enough to have lyrics like that paired with music that rocks and much as it wails, rolls as much as it soars, and drives as much as it touches? Nobody but Glasvegas.

You are moved by these songs. At least in my opinion.

Which is why I gathered up some buddies and went to see their performance last January at Chop Suey in Seattle. My review of that gig is here.

Based on what we heard and saw at that concert, as well as meeting the band afterwards at a bar, I decided I wanted to see them when they around again - which luckily happened to be this past Monday at Neumo's in Seattle's Capital Hill neighborhood. Along for the ride this time were my buddies Sean and Levi. A set of pictures I took during the show are here.

Opening Act
As we drifted into Neumo's, the sounds of opening band Von Iva could be heard throbbing through the hallway. I have to say that this band was a pleasant surprise.

A three-woman outfit out of San Francisco, Von Iva features a singer who can really belt out bluesy-style rock - along with a powerful, hard-hitting drummer and a keyboardist who doubles as "guitar" and "bass" (among other instruments) by laying down thick, heavy and aggressive lines of thud/buzz sound. Sounds like a racket, right? Not so. Very cool and good to see a unconventional lineup. Anyway, the band impressed our little crew and I'd recommend checking them out live or on iTunes. (Right: Von Iva opens the show)
Questions Take Shape
After Von Iva wrapped up its set - and after talking to their lead singer for a moment - a few questions about Glasvegas began to form in my mind. Would a group that's been on the road non-stop for months put forth a genuine and compelling effort as they neared the end of their tour? Would singer James Allan's voice sound OK given how many shows he's performed so closely together? Would they perform and encore - something they glaringly omitted at their Chop Suey gig? Would we hear any new material?

The Crowd
At this point I also assessed the crowd. I estimate that on this Monday night, the club clocked in at about 80% full as there appeared to be empty space at the back of the main room while the rest of the floor and balcony were full up. In terms of who attended, it was about 70% guys, about 95% white and varying in age. I was impressed that a few men and women certainly older than my 39 years were plastered right up against the stage. I salute them and hope that I'm as hip in 10 to 15 years. Meanwhile, the youngins were in the house too. As I turned from the bar after buying my crew a round, a kid (to me a 21 year old is a kid) knocked into my arm and spilled a bit of one drink. He looked at me and said, "I'm sorry sir." Well, that made it official. I'm old. But, not too old to have a good time.

The Main Event
Recharged with a fresh beer and back in place near the stage, I watched as the lights dimmed again and a faint set of notes could be heard and then rose into a melodic noise as the band came on stage to cheers.

They quickly launched into their single, Geraldine. After that it was a steady run-through of most of the songs from their debut album, plus a couple off their Christmas-time CD, A Snowflake Fell (And It Felt Like a Kiss). Beyond Geraldine, the set included fan favorites Flowers & Football Tops, Daddy's Gone, Go Square Go, It's My Own Cheating Heart That Makes Me Cry and others. The PA system sounded right on the money. I've seen shows at Neumo's at which the mix proved horrible - making it hard to hear the singer or overpowering you with one instrument or another. Not so with this gig...and no ringing ears afterwards. I also thought the light show added to the ambiance, although the fake fog might have been a tad overdone.(Above: Glasvegas on stage at Neumo's in Seattle)

Questions Answered
So, how did the band do? Could they answer my questions through their performance?
In my estimation, Allan and Glasvegas performed each of their songs with decent yet not spectacular energy. Allan's voice sounded fine as he modulated between smoothly delivered verses and throat straining choruses. Meanwhile, guitarist Rab Allan put in the effort as he spun around, moved about the stage raising his guitar high and dropping it low all the while. The other two band members delivered solid if not overy flashy performances.

Also, James Allan was a bit more interactive with the crowd than he was at the January show when he mustered maybe one "thank you" at the end. While you'll never mistake him for a stage-front chatterbox, after shedding his leather jacket about a third of the way through Monday's gig he did thank the crowd several times. At the end of the show he made a point to shake hands with each guy within reach of the front of the stage and delivered polite kisses to the hands of the women.(Right: James Allan belts one out at Nuemo's in Seattle)

We did not hear any new material this time. While songs such as Fuck You It's Over (yep, that's the name of the song and it says it all), Ice Cream Van and Please Come Home made the set, those are previously released songs. So, nothing new - despite that I hear the band is working on songs for a follow up album.

The band did come back on for an encore. This was a glaring omission at their January show and it was good that after a few minutes of fans stomping feet and clapping that Glasvegas came back on stage to perform a few more songs - topped by Daddy's Gone. While I know there are other songs they could have performed, I think building in an encore section of their show proved a smart move and left the crowd pleased and wanting more.

Criticism
Not much from me, although the "arts editor" over at the Seattle Fine Arts Examiner was not too impressed with either Von Iva or Glasvegas. This just shows you that two people can see the exact same show and come to different conclusions. It happens. Usually the difference lies in what the expectations are. At any rate, I'll stake my observations on having seen Glasvegas twice within three months, meeting each member in person and the ability to compare and contrast their style with the many other good and poor rock performances I've seen in person going back to the mid-1980s.
Anyway, for me, I like a band that interacts a bit more with the audience - it just helps make more of a connection and adds to the experience. Given the subjects Glasvegas sings about, you might think they would say some more about the songs. It also might endear them more to fans over the long haul. As nice and approachable as the members of Glasvegas are in person, their on-stage personas don't seem to lend themselves to much interaction during the gig. This is a band on the way up, so their approach may be on purpose to create some sort of image, or it could just be honest shyness or personality. All this is not too big a deal to me. I've been to a lot of shows and seen all different types of performers. I realize that just because I want the band to talk to the crowd means they will.

The Big Sum Up
This was a good show - up and coming band, small venue, close to stage, quality sound, good support band, $20. What's not to like? Our three-man party had a great time. I'll continue to follow Glasvegas and check out their next offering. But, that might not be for a while as they are the opening band for U2 at a number of shows this summer. At any rate, you can currently get their CDs on iTunes and Amazon if you haven't heard them yet. And finally, if they ever come to Seattle again, I'll be looking for Glasvegas to up their game even more with some new songs, more interaction with he crowd and...who knows what else.